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The Future We Have Already Made : Fatalism in Terminator 3 : The Rise of the Machines
https://doi.org/10.34359/00000891
https://doi.org/10.34359/000008913b36405a-85e4-4438-91f5-341e46492137
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004126211 (741.5 kB)
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2003-01-01 | |||||||
| タイトル | ||||||||
| タイトル | The Future We Have Already Made : Fatalism in Terminator 3 : The Rise of the Machines | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Fatalism-Free-Will | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Systemic-Endemic | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Pessimism-Hope-Humor | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| ID登録 | ||||||||
| ID登録 | 10.34359/00000891 | |||||||
| ID登録タイプ | JaLC | |||||||
| ページ属性 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | P(論文) | |||||||
| 記事種別(日) | ||||||||
| 評論 | ||||||||
| 記事種別(英) | ||||||||
| en | ||||||||
| CRITIQUE | ||||||||
| 論文名よみ | ||||||||
| その他のタイトル | The Future We Have Already Made : Fatalism in Terminator 3 : The Rise of the Machines | |||||||
| 著者名(英) |
Jeansonne, Christopher
× Jeansonne, Christopher
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| 著者所属(日) | ||||||||
| 人間心理学科 | ||||||||
| 抄録(英) | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | The following essay is a close reading of the film Terminator 3 : Rise of the Machines, the latest installment in the popular Terminator series of films. It shows how the film transforms, in both overt and subtle ways, many of the icons, characters, and narrative devices found in the previous films. Particular attention is given to how this film re-positions us vis-a-vis the future, rethinking our relationship to it and our power to change it. Popular Hollywood action films are often seen with contempt in critical and scholarly circles ; implicitly, then, this essay also attempts to show how such films can be addressed with analytical integrity. | |||||||
| 雑誌書誌ID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN10431764 | |||||||
| 書誌情報 |
聖泉論叢 号 11, p. 205-218, 発行日 2003 |
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